2,220 Royalty-Free Audio Tracks for "Big Bell"

author: Wikipit source: self recorded description: This is the "Westminster" and the one o´clock sound of a rod gong from clockwork produced by Kieninger/Germany date: 2005-12-17

Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]

UC Davis's version of the college fight song "Big C"

This tollbell is exactly 4 seconds in length. Use this file for creating a sequence of bell strikes. Use original tollbell at end of sequence for long tail at end. This file is 2 bars at 120 bpm.

The Phil Harris Orchestra performing "The Vamp"

Page from Thomas Ravenscroft's (c. 1582 – 1635) "Pammelia, Musicks Miscellanie" (1609)

Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.

Not On The Bus by U.S. Army Blues

Introduction by U.S. Army Blues

Bayou Farewell by U.S. Army Blues

Walk That Dog by U.S. Army Blues

Main Stem by U.S. Army Blues

Dance Of The Stargazer by U.S. Army Blues

Barbara by U.S. Army Blues

BugaBlue by U.S. Army Blues

Oginiland by U.S. Army Blues

Kelli's Number by U.S. Army Blues

Stardust by U.S. Army Blues

Mr. Bo Hica performed by Dimensions in Blue of the United States Air Force Band of the West. Track 25 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Standard bell pattern.

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

The raw version of this sample was made by hitting my knuckle on a metal sculpture of an aircraft. De-clipped and de-noised just slightly using izotope rx. Verb, eq and comp in logic pro 8 + plugins. Recorded using the spectrumview iphone app. Sample rate = 48ksample size = 24 bit.

Sound of very large bell being struck.

Old cassette recording of radio broadcast on new year bells 1987-1988.

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

Daisy Bell sung by the DECtalk speech synthesizer. Using v4.61.02 for Windows. In G major at 200BPM, roughly. The input code is as follows: [:phoneme on] [d<40,27> ey<860> z<40,24> iy<860> d<40,20> ey<860> z<40,15> iy<860>] [g<40,17> ih<220> v<40> m<40,19> iy<260> yx<40,20> or<260> ae<300,17> en<300> s<40,20> rr<260> d<40,15> uw<860> _<900>] [ay<860,22> m<40> hx<40,27> ae<810,27> f<30> k<30,24> r<30> ey<860> z<40,20> iy<860>] [ao<200,17> el<100> f<40,19> or<260> dh<40,20> ax<260> l<40,22> uh<560> v<40,24> ax<260> v<40,22> yu<860> _<600,24>] [ih<260,24> tx<40> w<40,25> ow<180> n<40> t<40> b<40,24> iy<260> ax<260,22> s<40> t<40,27> ay<560> l<40,24> ih<220> sh<40> m<40,22> ae<60> ae<100,24> ae<100,22> r<40,20> ih<560> jh<40> _<560,22>] [ay<300,22> k<40,24> ae<520> en<40> t<40,20> ax<260> f<40,17> or<560> d<40,20> ax<260> k<40,17> ae<260> r<40,15> ih<560> jh<40> _<560>] [b<40,15> uh<220> tx<40> yu<560,20> d<40> l<40,24> uh<210> k<30> s<30,22> w<30> iy<260> t<40> _<560,20>] [aa<560,20> en<40> dh<40,24> ax<260> s<40,22> iy<260> t<40> _<260,22>] [ah<150,24> v<40,25> ax<110> b<40,27> ay<260> s<40,24> ih<260> k<40,20> el<260> b<40,22> ih<260> el<260> tx<40> f<40,15> or<250> t<10> t<40> uw<860,20> _<900>]

A big fish on a cart is dragged through the mall to much bell-ringing and celebration. Sapporo, jr station.

6-8 clave in 4-4.

Big comp.

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.

Daisy Bell sung by Edward M. Favor (1856-1936). Edison Phonograph Co.: 1058. Recorded on brown wax cylinder. Original cylinder in collection of John Levin. Spoken introduction removed.

File:Daisy_Bell_sung_by_Edward_M._Favor.ogg, click removal (default settings) and light noise removal (using last 0.5 second as sample, settings 12db/5.0/2 bands) applied in Audacity 3.1.2.

A dog barking.

Audio de una tabla de madera cuando cae.

Knocking knock big reverb.

Son los pasos de un demonio(golpes a un coclhon).

It is a beautiful sound that is produced by a group of birds singing at dawn.

Sound of old big woman steps.

Big old men saying "mow".

The sound of old men moaning.

Big old men saying "iih".

Sound made with my voice, imitating the sound of a whale.

Processed kick 01.

It's a thud. A biggun.

Nudda big thud.

Thud.

Big bubbles on water.

Big pillow shaking.

Big truck doing his thing.

This is a project i worked on for my electronic music composition class. It was made using audacity. It is comprised of 27 different sound tracks. 2 of these tracks use sounds created/recorded by users "shoba" and "branrainey" of freesound. Org (shoba's 'sending machine. Wav' and branrainey's 'cansound. Wav'. The other sounds are of my own creation or recording.